Gillian Clarke Essay

Before unconstipated indication Miracle on St Davids day quantify, I knew that or sothing very particular(a) was deprivation to happen from the word in the call Miracle. Clarkes utilise of this word suggests that an awful dis patchtleingt is going to occur and that the compose is therefore going to be emotional and poignant. Gillian Clarke uses the first-year verse of the metrical composition to r endinger a rude idyll collect to the use of personification-An afternoon yellow and out-of-doors mouthed with daffodils. This conjures a happy and warm range of mountains of daffodils with their trumpets open wide, laughing in the cheerfulnessninesslight, and it successfully personifies the flowers.Clarke also places mess in the description to make it attend even more vivid in our minds-the rumps of gardeners amongst nursery shrubs. The line, country house, guests strolling pulls together a vivid image of a beautiful, fountain scene in the readers mind. Clarke also introduces the importance of reputation safe at the beginning of the metrical composition in this first verse. lAt the start of the back verse, Clarke strikingally dispels the pastoral idyllic that she created in the first verse. I am reading song to the insane is a bluff line, completely in contrast to the finish verse as it is so insensitive.As readers, we instantly distinguish the harsh valetkind of the fleck that she is in fact in a amiable institution. Clarkes dispelling of the master copy image is in effect(p) because it catches the readers attention immediately as it is a completely unexpected twist. It also makes the poem poignant because it makes the readers realise that there is never a perfect tense place and that there is always paroxysm around. Clarke goes on in this verse to reveal some of the patients around her and the length of their mental disorders-An old woman interrupting offers as legion(predicate) buckets of coal as I need. Clarke desc ribes the poignant image of a schizophrenic, beautiful boy absorbed in her poetry do us realise that her poetry may be powerful for these people.After verse two, Clarke introduces verse three by stating on a good day, they tell me by and by to video display how the split between a verse is a like the dramatic split personality of a schizophrenic. In verse three, Clarke goes into more detail astir(predicate) her moving surroundings to build up a vivid idea of the situation in the readers mind. She describes ow the sun causes shadows of window bars into the fashion and how a woman is sitting in these shadows as if she is in a cage. In a cage of first March sun a woman sits. Clarke repeats the word not, not listening, not follow outing, not feeling to head in the woman appearing to be trapped inside herself and entirely vacant. at last in this verse, Clarke writes, a cock-a-hoop, big nuts, man is tenderly led to his chair. The use of the adverb tenderly makes us understand estimable how much c atomic number 18 and attention these people need.Clarke continues with the poems t cardinal of favor in verse four, by the long-winded reading caused by several instances of pauses in the line due to commas such as hands on his knees, he rocks . I read to the big, dumb, labouring man as he rocks also brings active the gloomy sense that although this man seems self-sufficient and big on the exterior he is mild and insecure on the inside and in the mind. Finally Clarke uses an oxymoron, I read to their presences, absences to show how although they argon physically in the room, some of their minds arent really there at all.In verse five, Clarkes create verbally makes everything absolutely change. The slow and thoughtful footfall of the poem ends dramatically in a similar way that Clarke destroyed the pastoral idyllic after the first verse. Gillian Clarkes use of alliteration also potently suggests that something special is about to happen, He is suddenly standing silently, huge and mild unless I feel afraid. Clarke then modishly uses two similes to portray the molybdenum forward the man speaks, Like slow stool of spring water or the first bird of the year in the breakage darkness.These similes are closely cerebrate to new liveliness spring which is comfortable because the poem is set on the first day of spring. We also grasp from Clarkes use of similes that the man is going to do something new. This is a significant and poignant moment in the poem because the man is so well-built and huge yet what he is about to do is something really big and special for everybody in the room and the reader, the labourers voice recites The Daffodils The reaction to this mans speech is shock and no one is able to speak. The nurses are speechless and brisk for violence from the man but even they drop offze.The patients, some of which are seriously mentally ill also suddenly listen, the patients seem to listen. It is effective and poignant, how Gillian Clarke then personifies the daffodils to duet the characters and mood of the room. She expresses that even nature impertinent can react at this tall(prenominal) moment. The hyperbole that she uses, a yard, ten thousand is an excerpt from the Wordsworth poem that the man is reciting. Clarke successfully employs this hyperbole to exaggerate the number of daffodils who check into to observe to the man breaking free of speech and his life.I think that the seventh stanza is the most heart-breaking stanza, especially Since the dumbness of trial fell because that implies that the man was once a happy child and only halt talking and became miserable when something tore his life apart. This is poignant because it makes us imagine tragical events that could have stopped this man from discourse and that it really shows the power and impact that poetry can have. I think the daffodils are flash is a very effective and clever way of Clarke to finish the poem because it is ending with the daffodils where it first started.The way that nature outside corresponds to the event in the room is truly miraculous. In verse 6 Clarke personifies the daffodils as still as jump whilst the man is reciting and the daffodils are then flame in the last verse during the mans applaud (we can see a fiery theme). The poem is so poignant because of the way Clarke creates successful images and personification so that we can feel we are in the room at the time of the miracle. The pathetic fallacy at the end leaves readers reflective and kayoed by the description in poetry of such an amazing account.